
In the early '90s, Ministry and Nine Inch Nails took their variations on industrial to wider alt-rock and metal audiences, but a substantial number of industrial artists chose to remain underground. The first group of industrial bands — England's Throbbing Gristle and Cabaret Voltaire, and Germany's Einsturzende Neubauten — were initially as much about beyond-edgy performance art as they were music. The second generation of industrial artists — including Skinny Puppy, Front 242, and Nitzer Ebb — added pummeling dance beats to their predecessors' confrontational sounds, for a substyle often referred to as electronic body music (centered around labels like Wax Trax). Meanwhile, bands like Ministry and KMFDM added metal-guitar riffs, which helped Ministry break through to a wider audience in the late '80s and early '90s; similarly, Nine Inch Nails' Trent Reznor added more traditional song structures, and made his own persona the focal point, giving the music a rare human presence and becoming a star in the process. This more widely appealing strain of industrial continued to influence alternative metal throughout the '90s. Still, after industrial metal began to fade, a near-exclusively electronic form of industrial dance continued to thrive as an uncompromisingly underground style, with many artists coming from the U.S. and Germany.
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